Putting It Together - Sunday in the Park with George 2017 Broadway Company/Jake Gyllenhaal.mp3

[00:00.00] 作词 : Stephen Sondheim
[00:00.44] 作曲 : Stephen Sondheim
[00:00.88]I thought that went very well
[00:02.08]except for the electrical screw-up.
[00:03.47]What did you guys think?
[00:04.46]Ugh, terrible/Terrific.
[00:06.06]I mean, I don't understand completely
[00:08.30]I'm not surprised
[00:09.22]But he combines all these different trends
[00:11.57]I'm not surprised
[00:12.43]You can't divide art today
[00:14.05]Into categories neatly
[00:15.77]Oh?
[00:16.32]What matters is the means, not the ends
[00:18.15]I'm not surprised
[00:19.59]That is the state of the art, my dear
[00:22.96]That is the state of the art
[00:25.07]It's not enough knowing good from rotten
[00:27.71]You're telling me
[00:28.49]When something new pops up every day
[00:30.95]You're telling me
[00:31.81]It's only new, though, for now
[00:33.56]Nouveau
[00:34.06]But yesterday's forgotten
[00:35.57]And tomorrow is already passé
[00:37.59]There's no surprise
[00:38.97]That is the state of the art, my friend
[00:42.31]That is the state of the art
[00:45.50]He's an original
[00:47.54]Was.
[00:48.84]I like the images
[00:50.31]Some.
[00:51.64]Come on
[00:52.19]You had your moment
[00:53.10]Now it's George's turn
[00:54.20]It's George's turn?
[00:55.01]I wasn't talking turns / Don't you think he's original?
[00:56.45]I'm talking art / Well, yes...
[00:57.41]But is it really new? / You're talking crap
[00:58.35]Well, no...
[00:59.11]His own collaborator! / It's more than novelty
[01:00.21]Well, yes...
[01:00.99]It's all promotion, but then–/ It's just impersonal, but–
[01:02.09]That is the state of the art
[01:04.57]Isn't it?
[01:05.98]Well...
[01:07.57]Art isn't easy
[01:09.14]Even when you've amassed it
[01:10.79]Fighting for prizes
[01:12.41]No one can be an oracle
[01:14.13]Art isn't easy
[01:15.88]Suddenly
[01:16.48]You're past it
[01:17.53]All compromises
[01:19.36]And then when it's allegorical
[01:20.97]Art isn't easy
[01:21.97]Art isn't easy
[01:22.86]Art isn't easy
[01:24.58]Any way you look at it
[01:28.18]George!
[01:32.31]All right, George
[01:36.57]As long as it's your night, George
[01:40.33]You know what's in the room, George
[01:44.28]Another Chromolume, George
[01:48.35]It's time to get to work
[01:51.46]George, look at all these lovely people in front of our painting.
[01:55.69]George, come say hello to one of our board members.
[01:58.04]This is Harriet Pawling.
[01:59.37]What a pleasure.
[02:02.01]And this is my friend, Billy Webster.
[02:03.35]What heading does your work fall under?
[02:05.46]Most people think of it as sculpture.
[02:06.79]So unconventional for a sculpture.
[02:09.61]Oh.
[02:12.64]Say cheese, George
[02:15.86]And put them at their ease, George
[02:19.07]You're up on the trapeze, George
[02:21.97]Machines don't grow on trees, George
[02:25.11]Start putting it together
[02:27.25]I bet your great-grandfather would be very proud!
[02:30.30]Yes, he would have loved this evening.
[02:32.84]George and I are going back to France next month
[02:35.76]to visit the island where the painting was made
[02:38.77]and George is gonna bring the Lomochrome.
[02:42.32]Oh, huh... Chromolume.
[02:46.06]Art isn't easy
[02:48.17]Even when you're hot
[02:49.48]Are these inventions of yours one of a kind?
[02:50.60]Advancing art is easy
[02:51.75]Yes.
[02:52.80]Financing it is not
[02:54.05]They take a year to make.
[02:55.15]A vision's just a vision
[02:56.03]If it's only in your head
[02:57.63]The minute he finishes one
[02:58.65]he starts raising money for the next.
[03:00.89]If no one gets to see it
[03:01.70]It's as good as dead
[03:02.64]Work, work, work.
[03:04.32]It has to come to light
[03:05.96]I put the names of my contributors on the side of each machine.
[03:08.78]Some very impressive people.
[03:10.72]Well, my family has a foundation
[03:12.62]and we are always looking for new projects.
[03:15.50]Bit by bit
[03:16.88]Putting it together
[03:18.97]Piece by piece
[03:20.35]Only way to make a work of art
[03:22.05]Every moment makes a contribution
[03:23.88]Every little detail plays a part
[03:25.68]Having just a vision's no solution
[03:27.30]Everything depends on execution
[03:29.13]Putting it together
[03:31.04]That's what counts
[03:32.42]Actually, the board of the foundation is meeting next week.
[03:34.93]Ounce by ounce
[03:36.34]Putting it together
[03:37.57]You'll come to lunch.
[03:38.40]Small amounts
[03:39.87]Adding up to make a work of art
[03:41.59]First of all, you need a good foundation
[03:43.37]Otherwise it's risky from the start
[03:45.25]Takes a little cocktail conversation
[03:46.95]But without the proper preparation
[03:48.80]Having just a vision's no solution
[03:50.50]Everything depends on execution
[03:52.80]The art of making art
[03:55.78]Is putting it together
[03:57.81]Bit by bit
[03:58.91]We haven't met. Charles Redmond. County Museum of Texas.
[04:02.36]Nice to meet you.
[04:02.96]I don't mean to bring business up during a social occasion
[04:05.57]but I wanted you to know we're in the process of giving out some very sizable commissions...
[04:10.93]Link by link
[04:12.21]Making the connections
[04:14.35]Drink by drink
[04:15.79]Fixing and perfecting the design
[04:17.51]Adding just a dab of politician
[04:19.26]Always knowing where to draw the line
[04:21.01]Lining up a prominent commission
[04:22.81]Otherwise your perfect composition
[04:24.59]Isn't going to get much exhibition
[04:26.86]Art isn't easy
[04:30.00]Every minor detail
[04:31.83]Is a major decision
[04:33.60]Have to keep things in scale
[04:35.43]Have to hold to your vision
[04:37.89]Every time I start to feel defensive
[04:39.43]I remember lasers are expensive
[04:41.31]What's a little cocktail conversation
[04:43.19]If it's going to get you your foundation
[04:45.23]Leading to a prominent commission
[04:47.05]And an exhibition in addition?
[04:49.48]Art isn't easy
[04:50.92]Trying to make connections
[04:52.78]Who understands it?
[04:54.58]Difficult to evaluate
[04:56.20]Art isn't easy
[04:58.08]Trying to form collections
[04:59.78]Always in transit
[05:01.50]And then when you have to collaborate
[05:03.28]Art isn't easy
[05:06.93]Any way you look at it
[05:11.04]George, you have to meet Mr. Randolph!
[05:13.62]Lee Randolph.
[05:14.85]I handle public relations for the museum.
[05:17.41]How do you do.
[05:18.01]There's a lot of opportunity for some nice press here...
[05:21.46]Dot by dot
[05:22.84]Building up the image
[05:24.98]Shot by shot
[05:26.39]Keeping at a distance doesn't pay
[05:28.09]Still, if you remember your objective
[05:29.90]Not give all your privacy away
[05:31.70]A little bit of hype can be effective
[05:33.47]Long as you can keep it in perspective
[05:35.30]After all, without some recognition
[05:36.97]No one's going to give you a commission
[05:38.75]Which will cause a crack in the foundation
[05:40.76]You'll have wasted all that conversation
[05:42.93]I am really sorry, George.
[05:44.84]I spoke with Naomi in great detail about how much electricity her synthesizer was gonna use.
[05:49.15]I computed the exact voltage–
[05:50.61]Dennis, it's okay.
[05:51.68]Now go get yourself a drink, Dennis. Mingle.
[05:53.75]George, I have one more thing I wanted to talk to you about.
[05:56.36]I was gonna wait– no, I'll wait
[05:59.34]What?
[06:00.85]I'm quitting.
[06:03.31]Quitting?
[06:04.32]I'm going back to NASA.
[06:05.97]There is just too much pressure in this line of work.
[06:08.19]Dennis, don't make any rash decisions.
[06:10.39]Just take it easy, sleep on it, and we'll talk about it tomorrow.
[06:13.05]Okay, George.
[06:14.04]Art isn't easy
[06:15.43]Hey, it's the brains.
[06:16.37]Even when you're smart
[06:17.36]Little technical screw-up tonight, Dennis?
[06:18.85]You think it's all together
[06:20.05]And something falls apart
[06:22.32]I love the new machine, George.
[06:24.57]Oh, thank you. That means a lot to me.
[06:26.16]We saw you talking to Redmond from Texas.
[06:27.94]Yeah.
[06:28.70]Did you get one of the commisions?
[06:29.87]We talked about it. You guys?
[06:30.97]Her. My stuff is a little too inaccessible.
[06:33.35]Oh, I love you work, Alex. I'll put in a good word for you.
[06:35.33]He knows my work!
[06:36.61]Well, it's all politics, Alex.
[06:39.07]Maybe if you just lightened up a little.
[06:41.68]Texas would be fun!
[06:43.12]Art isn't easy
[06:46.07]Overnight you're a trend
[06:47.82]You're the right combination
[06:49.60]Then the trend's at an end
[06:51.37]You're suddenly last year's sensation
[06:54.06]So you should support the competition
[06:55.73]Try to set aside your own ambition
[06:57.46]Even while you jockey for position
[07:01.32]If you feel a sense of coalition
[07:03.05]Then you never really stand alone
[07:04.88]If you want your work to reach fruition
[07:06.63]What you need's a link with your tradition
[07:08.38]And of course a prominent commission
[07:13.13]Plus a little formal recognition
[07:14.96]So that you can go on exhibit
[07:17.99]So that your work can go on exhibition
[07:22.20]There's the man of the hour!
[07:24.86]Blair. Hello. I read your piece on neo-expressionism.
[07:30.24]Good for you!
[07:31.63]Now, I had no idea you might be related to 19th century France.
[07:36.62]Well, it's a cloudy ancentral line at best.
[07:38.78]I'm dying to meet your grandmother.
[07:40.90]It was fun seeing the two of you onstage with your invention.
[07:44.37]It added a certain humanity to the proceedings.
[07:48.84]Humanity?
[07:50.23]George. Chromolume #7?
[07:53.46]Be nice, George
[07:55.58]I was hoping it would be a series of three.
[07:57.54]Four at the most.
[07:58.79]You have to pay a price, George
[08:01.38]I have touted your work from the beginning, you know that.
[08:05.01]They like to give advice, George
[08:07.31]You were really on to something with these light machines– once.
[08:10.39]Don't think about it twice, George
[08:12.19]Now they're just becoming more and more about less and less.
[08:16.27]I disagree.
[08:17.42]Don't get me wrong.
[08:19.69]You're a talented guy.
[08:21.42]But there are new discoveries to be made, George.
[08:24.65]Be new, George
[08:26.01]They'll tell you 'til they're blue, George
[08:27.82]You're new or else you're through, George
[08:29.62]And even if it's true, George
[08:31.50]You do what you can do
[08:35.65]Bit by bit
[08:36.98]Putting it together
[08:39.15]Piece by piece
[08:40.56]Working out the vision night and day
[08:42.34]All it takes is time and perseverance
[08:44.09]With a little luck along the way
[08:45.87]Putting in a personal appearance
[08:47.69]Gathering supporters and adherents
[08:50.70]But he combines all these different trends
[08:53.83]Mapping out the right configuration
[08:55.45]Starting with a suitable foundation
[08:57.44]He's an original
[08:57.91]Was...
[08:59.19]Lining up a prominent commission
[09:00.89]And an exhibition in addition
[09:02.77]Here a little dab of politician
[09:04.49]There a little touch of publication
[09:06.37]'Til you have a balanced composition
[09:08.20]Everything depends on preparation
[09:10.08]Even if you do have the suspicion
[09:11.81]That it's taking all your concentration
[09:14.05]The art of making art
[09:15.67]That is the state of the art
[09:17.97]Is putting it together
[09:18.91]And art isn't easy
[09:20.30]Bit by bit
[09:21.71]Link by link
[09:23.51]Drink by drink
[09:25.34]Mink by mink
[09:27.14]And that
[09:30.09]Is the state
[09:30.95]Of the art